Behrg Reviews “Screams You Hear” by James Morris

James Morris excels at finding the right voice when it comes to a YA narrator, and I’ve been a fan of his work for awhile now.  Screams You Hear is a step into a much darker pool for Morris, and this novel is layered with moments that will have even the most jaded reader needing a moment to come up for air.

screams you hearThe concept is great, a young high school girl living on a small island off the Pacific Coast uncovers what could be a pathological outbreak resulting in extreme violence from those infected. What’s worse, only adults seem to be the ones who come down with the disease. The novel is interwoven with Ruthie being back on the mainland, horrifically burned as possibly one of the only survivors, then retelling her tale as we’re transported into the past and the events that unravel. The back and forth work extremely well even as we begin to question Ruthie’s telling of the story, and provides for some twists that wouldn’t work any other way.

As per usual with Morris’s writing, the setting is fantastic and used to full effect, heightening the drama of the bizarre outbreak that occurs. Combine that with some excellent character moments and some jaw dropping scenes to create a story you won’t find anywhere else. The one issue I have with the book is I felt it didn’t know what it wanted to be. At times it felt YA suspense, at times it entered into the darkest caverns of horror, but the juxtaposition didn’t fully mesh and left me a little uncertain as to what it was trying to accomplish. Of course that could be part of the point, the extreme moments meant to crush your ideas of a relatively safe young adult themed world.

Surprising and fresh, this was definitely worth the read, and it’s fun seeing Morris flex his muscles and redefine the boundaries of your normal genres.

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Book Review: “The Sound of Broken Ribs” by Edward Lorn

broken ribsThere’s been a plague lately, in my opinion, of great authors striving for subtlety in their writing. Taking a premise and, rather than allowing it to grow into something monstrous and completely unique, trimming it back so that you barely see the buds where there could have been roses. Or thorns. Big nasty thorns. I understand the reasoning behind it, in trying to make their work less fantastical, but I often disagree with the end results, left wanting more.

The Sound of Broken Ribs by Edward Lorn is the first book I’ve read that nails this concept. There’s a maturity here to Lorn’s writing that I haven’t seen before — and I consider myself a fan of his work. But while he lets this dark tale grow its wings he also doesn’t inflate them into balloons that fizzle and go flying around the room before petering out. Writing requires incredible balance, allowing your imagination to run wild while also pulling it back before it becomes unmanageable and ruins your story. I kept waiting for this to derail but Lorn rides that razor’s edge the entire story, teasing the fantastic while keeping you grounded.

And man, are there some big nasty thorns.

Breathing, flawed characters you come to sympathize with and a perfect balance of moments that make you cringe and others that will make your jaw drop, this is on my top 5 list for sure so far for the year. The premise may be simple, but the execution is what makes this book sing. Hats off E on a great story well told.

** Please note this book is currently only available as a special limited hard-cover edition from Thunderstorm Books. I received an advanced review copy of the book. This in no way influenced by review. **